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Drop B tuning
Drop B tuner online: B F♯ B E G♯ C♯, low to high. Tune with your phone's mic, hear each string, the power chords, and the heavier strings it needs.

The low B sits at 62 Hz. Mika listens an octave up and still names it.The microphone closes when you stop, when all is in tune, or after half a minute of quiet. Nothing is recorded.
B1✓
Tap start. Play any string and let it ring. Without the microphone, tap a note above to hear it.
Drop B: the strings and their notes
| String | Standard | Drop B | Change | Hz |
|---|---|---|---|---|
| 1st string | E4 | C♯4 | 3 semitones down | 277.2 |
| 2nd string | B3 | G♯3 | 3 semitones down | 207.7 |
| 3rd string | G3 | E3 | 3 semitones down | 164.8 |
| 4th string | D3 | B2 | 3 semitones down | 123.5 |
| 5th string | A2 | F♯2 | 3 semitones down | 92.5 |
| 6th string | E2 | B1 | 5 semitones down | 61.7 |
Drop B from standard
What drop B is
Drop B is drop D moved down a major third: the top five strings sit two and a half semitones below standard, and the 6th string goes down five semitones, from E2 to B1 at 61.7 Hz. Low to high: B F♯ B E G♯ C♯. The low three strings are root, fifth and octave, so one finger plays a power chord, as in every drop tuning.
It is a metal tuning: nu metal and metalcore bands use it to get a seven-string's low B on a six-string. A normal set can't do it: the low string keeps only 56 % of its tension and flaps. Players use sets made for it, around 12 to 56 or heavier, or a baritone guitar, whose longer neck holds a low B at a normal tension.
How to tune to Drop B from standard
With the tuner above: tap Start, play each string the table changes and turn until the needle sits in the middle. By ear, without the tuner:
- Tune the 6th string to B1 first, from the tone of the string chip above (tap it with the tuner stopped) or a piano.
- 5th string: A2 to F♯2. The 6th string at its 7th fret (F♯2) should sound like this string open.
- 4th string: D3 to B2. The 5th string at its 5th fret (B2) should sound like this string open.
- 3rd string: G3 to E3. The 4th string at its 5th fret (E3) should sound like this string open.
- 2nd string: B3 to G♯3. The 3rd string at its 4th fret (G♯3) should sound like this string open.
- 1st string: E4 to C♯4. The 2nd string at its 5th fret (C♯4) should sound like this string open.
Then check the whole tuning once more with the tuner: retuning one string moves the neck, and the others drift a few cents.
On the same strings, tension follows the square of the pitch: the 6th string keeps 56 % of its pull; the 1st, 2nd, 3rd, 4th and 5th strings keep 71 % of their pull. Slacker strings buzz and read flat at the attack; for more than a whole step down, a heavier set (or at least a heavier low string) keeps the feel.
What one finger plays
The three low strings, B1 F♯2 B2, are a root, a fifth and an octave: one finger flat across them is a power chord. At the open strings it is B5, at the 2nd fret C♯5, 3rd D5, 5th E5, 7th F♯5.
Before you tune a guitar to drop B
- Strings first: on 10s the low B buzzes against the frets and the tuner sees it wobble. With a heavy set the nut slots may need widening; the strings should sit in them without binding.
- The tuner on a low B: the reader hears down to about B1; on a phone it listens an octave up and folds the note back, so let the string ring for a second.
- A seven-string's low B is the same note: a 7-string guitar tuner tunes B E A D G B E.
- A whole step higher: drop C♯; lower still: drop A.
All six strings in standard and the other tunings: the guitar tuner. Any note at all: the chromatic tuner.
Then play something
The notes you tuned can go into Brumm as a short melody over a beat. Hum a line on top and it becomes an instrument.
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