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Drop C tuning

Drop C tuner online: C G C F A D, low to high. Tune down from standard with your phone's mic, hear each string, the power chords and the strings to use.

Mika, the resident

Drop C asks a lot of the low string. Mika waits a moment longer before he names it.The microphone closes when you stop, when all is in tune, or after half a minute of quiet. Nothing is recorded.

C2

Tap start. Play any string and let it ring. Without the microphone, tap a note above to hear it.

Drop C: the strings and their notes

StringStandardDrop CChangeHz
1st stringE4D4a whole step down293.7
2nd stringB3A3a whole step down220.0
3rd stringG3F3a whole step down174.6
4th stringD3C3a whole step down130.8
5th stringA2G2a whole step down98.0
6th stringE2C24 semitones down65.4

Drop C from standard

What drop C is

Drop C is drop D moved down a whole step: every string a whole step lower than standard, and the 6th string two whole steps lower, from E2 to C2. Low to high it reads C G C F A D. The low three strings, C G C, are a root, a fifth and an octave, so one finger across them plays a power chord, the same trick as drop D, a whole step heavier.

It is the tuning of a lot of 2000s heavy music: System of a Down play “Chop Suey!” in drop C, and Nirvana's “Blew” landed in it by accident, when the band, already in D standard, tuned down again in the studio. On a six-string with a normal 10 or 9 set, the low C at 65.4 Hz is floppy; most players who live in drop C use a heavier set or at least a heavier 6th string.

How to tune to Drop C from standard

With the tuner above: tap Start, play each string the table changes and turn until the needle sits in the middle. By ear, without the tuner:

  1. Tune the 6th string to C2 first, from the tone of the string chip above (tap it with the tuner stopped) or a piano.
  2. 5th string: A2 to G2. The 6th string at its 7th fret (G2) should sound like this string open.
  3. 4th string: D3 to C3. The 5th string at its 5th fret (C3) should sound like this string open.
  4. 3rd string: G3 to F3. The 4th string at its 5th fret (F3) should sound like this string open.
  5. 2nd string: B3 to A3. The 3rd string at its 4th fret (A3) should sound like this string open.
  6. 1st string: E4 to D4. The 2nd string at its 5th fret (D4) should sound like this string open.

Then check the whole tuning once more with the tuner: retuning one string moves the neck, and the others drift a few cents.

On the same strings, tension follows the square of the pitch: the 6th string keeps 63 % of its pull; the 1st, 2nd, 3rd, 4th and 5th strings keep 79 % of their pull. Slacker strings buzz and read flat at the attack; for more than a whole step down, a heavier set (or at least a heavier low string) keeps the feel.

What one finger plays

The three low strings, C2 G2 C3, are a root, a fifth and an octave: one finger flat across them is a power chord. At the open strings it is C5, at the 2nd fret D5, 3rd D♯5, 5th F5, 7th G5.

Drop C, D standard and drop D

Drop C shares its five top strings with D standard (D G C F A D, everything a whole step down): drop the 6th string of D standard another whole step and you are in drop C. And it shares its shape with drop D: every riff from drop D works here, a whole step lower.

  • The low string reads flat at first: a slack string goes sharp for an instant when plucked hard and then settles; let it ring before you trust the needle.
  • Intonation: after a big drop the neck relief changes; if chords in the middle of the neck sound off although the open strings are right, the guitar needs a setup for the heavier strings.
  • Lower still: drop B and drop A.

All six strings in standard and the other tunings: the guitar tuner. Any note at all: the chromatic tuner.

Then play something

The notes you tuned can go into Brumm as a short melody over a beat. Hum a line on top and it becomes an instrument.

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